Even the great Richard Jenkins has to pay the rent, but geez, is a frisson-free, unthrilling thriller like THE BROKEN the best of what he gets offered? This doppelganger drama is as vaguely explained as a Japanese horror flick: if you can make sense of the ending, please text me back. For this kind of story you're far better off renting Mirrors. — Jeff Schultz
Sent from my Verizon Wireless BlackBerry

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