KNOWING

KNOWING what I do now, I say: ignore the critics, except for Roger Ebert, and go see this nicely done, if sentimental, sci-fi mystery thriller about the end of the world. There are two exciting on-screen disasters — including the most intense plane crash since FEARLESS. And Nic Cage holds it in enough to be genuinely affecting. It's better than Signs and Deep Impact, but with serious nods to both. — Jeff Schultz
Sent from my Verizon Wireless BlackBerry

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